When the wind blows or a downpour distracts you from the magnificent buildings of Paris, treat yourself to stunning covered galleries, where you can meet beautiful covered terraces, bel canto cafes, philately and decoration specialists, shoemakers , hatters, engravers and a thousand delicious shops you didn’t even know existed.

You will take the opportunity to dine and laugh on the terrace regardless of the mood of the frog staring at you in the sky of changing colors.

Paris has more than 20 historic covered galleries including the famous ‘Passage du Cerf’ or « Passages des Panoramas ’. These historic covered galleries, for which Paris has often been a pioneer in the world, can be found in nearly a third of the Parisian arrondissements and in particular in the Grands Boulevards district, built during the time of Napoleon the 3rd and Baron Haussmann.

You will be able to shop or ‘magasiner’, as our Quebec cousins and French-speakers ​​say, or go in search of astonishing treasures, dresses, curtains and small linens, lace and ties … with the little hat you will wear for the next great occasion such as the Grand Prix de Diane or the baptism of a grandnephew or the marriage of a super girlfriend.

We won’t be able to tell you about all the passages, but we just make your mouth water with a few appetizers and small appetizers …

Vivienne Gallery

Dating from 1823 and fabulously decorated with stone mosaics on the floor, mirror panels and glass roofs letting in the light of day, this double gallery is one of the most beautiful in Paris, with its many fashion boutiques, tearooms, delicatessens, wine cellars and ideal finds for your gifts at any time of the year. Among the more recent boutiques are haute couture with Jean-Paul Gautier and Yuki Torii, who have done fashion shows in the passage, as well as furniture and interior design shops. The decor of the gallery is neoclassical, with paintings, sculptures, a canopy and a beautiful renovation carried out on the old half-moon windows. You will also discover goddesses and nymphs in the splendid Belle Epoque glass rotunda. You will also enjoy sunlit glass galleries, bringing in light throughout the galleries.

Located between the ‘Louvre’ and ‘Bourse’ metro stations, it welcomes you between rue Vivienne and rue de la Banque, in the 2nd and opens Monday to Saturday from 8:30 am to 8:30 pm

Galerie de la Madeleine and Galerie Royale

Very close to the Jardin des Tuileries, the Louvre and the Place de la Concorde, these two galleries were opened in 1845 by the architect Théodore Charpentier, between the rue Boissy d’Anglas and the place de la Madeleine. You will find there among others the famous restaurant « Lucas-Carton » dating from 1904, with a splendid Art Nouveau architecture attributed to famous architect Majorelle.

The entrance to the Royal Gallery is via 11 rue Royale and offers an astonishing panorama of tableware shops, to make you want to get married or marry your children every week… You will find in particular the very close presence of the great name ‘Cristofle ‘. All these beautiful shops are opened Mondays to Saturdays.

Colbert Gallery

Very close to the Vivienne Galerie, this delightful passage from 1826 takes its name from the Hôtel Colbert, a private mansion built at that time, just a few years after the departure of Napoleon.

This gallery, which belongs to the ‘National Library’ does not offer any shops. But a wonderful luxury of 19th century decor and architecture and several cultural institutions and research laboratories, including the National Institute of Art History (INHA) and the National Heritage Institute (INP).

The ‘Le Grand Colbert‘ brasserie is a large classic brasserie with magnificent floors, good wooden chairs and unique decoration. This brasserie offers high quality menus, including fine Atlantic oysters, great Champagnes, foie gras, a Napoleon mille-feuille and a raspberry vacherin.

Véro-Dodat Gallery

Smaller and more confidential than the previous two, the Véro-Dodat gallery was created in 1836, after the revolution of 1830 and was one of the first among the passages to be lit by gas. Astonishing in decor and structure, it offers impeccable white and black marble floors with mirrors, paintings, columns and ceilings in a Greek style and typical of French chic. Its shops are very varied but offer among others decoration shops, antique dolls, and among others the famous Louboutin shoemaker, who welcomes a clientele of young women eager from all over the world. Although this passage is not the longest in Paris, its unique white and black diamond architecture offers a very original perspective and lengthens the gaze. This gallery also plunges us into 19th century France, and into a unique charm, at a time when neonized shopping malls did not exist.

Galerie Véro-Dodat is open Monday to Saturday from 7 a.m. to 10 p.m. It is located between rue Bouloi and rue JJ-Rousseau, less than 400m from the Louvre and its metro station ‘Palais-Royal-Musée du Louvre’.

Princes Passage

The Passage des Princes was created by banker Jules Mires, who goy an official agreement on September 3rd, 1860. He built on the former ‘Hôtel des Princes et de l’Europe’, formerly existing at 97 rue de Richelieu (2nd). Built in 1860 under Napoleon the 3rd, it has later been destroyed by promoters in 1985, to be finally rebuilt identically in 1995, with the same original 1930’s decor and external glasses. It was very famous from 1870 till 1914 and later on, when it welcomed painting Gallery ‘La Vie Moderne’ (Georges Charpentier), who hosted many impressionist painters on the Bd des Italiens side entrance.

Located a stone’s throw from the Opera (Palais Garnier) and the Lafayette and Printemps department stores, with its main entrance at 5 Bd des Italiens, its architecture fits perfectly with the beautiful Haussmann buildings in the neighborhood. 

Considered the temple of play, this covered passage houses many stores dedicated to toys, model making, video games … A pleasure for the kids, the teenagers but also for the older ones who have kept a child’s soul. The second access to the passage is located at 97 rue de Richelieu. Open Monday to Saturday from 8 a.m. to 8 p.m.

We will not describe all the passages of Paris for you here, but we will leave you dreaming with their evocative names already, and this non-exhaustive list.

Passage du Caire, Passage Verdeau, Passage du Grand Cerf (mentioned above), Passage Jouffroy, Passage Choiseul (of Minister Choiseul), Passage Vendôme, Passage Puteaux, Passage Bourg l’Abbé, Galerie Ben Aïad, Passage Ponceau, Passage des Panoramas , Passage des Princes, Passage de l’Ancre, Passage l’Homme, Passage du Prado, Passage Brad, Passage des deux Pavillons and Arcades du Lido on the Champs-Elysées.

And, whatever the changing weather of the boulevards, you will find these havens of peace with sumptuous decorations invented and created by French entrepreneurs and architects to protect your footsteps when exploring Paris.

You will savor these external windows, these perspectives, these show windows, these decorations, these café terraces where you will savor unique aromas, with neighbors laughing and singing.

And then you will understand why thousands of great artists, musicians, engineers, scientists and architects have come and still come to Paris every year, because Paris vibrates with all its lights, universal and unique by its beauty.

Francois P. VALLET, coach in startups and SMEs, multilingual speaker, publisher.

Cet article Discover Paris – The City of Light est apparu en premier sur Actualités en France : Start-ups, PME, Arts, Histoire.

Léo Delibes est l’un des compositeurs les plus reconnus du 19e siècle, mondialement connu pour ses airs de Lakmé (Air des clochettes, Duo des fleurs), son plus grand opéra, écrit en 1883 ou Sylvia (ou la nymphe de Diane), son ballet de 1876, célébré par Tchaïkovski.

Il est le fils de Philibert, un postier toulousain, en partie d’origine italienne, mort avant les 10 ans de Léo, et d’une mère musicienne, amatrice talentueuse, Élisabeth Clémence Batiste (1807-1886), elle-même fille de Jean-Matias Batiste (1778-1848), baryton et haute-contre à la chapelle impériale de Napoléon Bonaparte et demi-sœur de l’organiste Antoine Edouard Batiste. 

Cet organiste va parrainer et soutenir le jeune Léo, orphelin de son père, et lui permettre de suivre des études musicales. Dès l’âge de 14 ans (1850), il obtient un 1er Prix de Solfège au Conservatoire de Paris, dans la classe d’Adolphe Adam. Dès l’âge de 19 ans, il est recruté en 1855 comme accompagnateur au Théâtre Lyrique et il se lance avec succès dans la composition dans les mois qui suivent avec aux Folies-Nouvelles (actuel Théâtre Déjazet) une « asphyxie lyrique », Deux sous de charbon, qui a un énorme succès mais dont la musique est aujourd’hui perdue. Il faut dire qu’à la mort de sa veuve, l’ensemble des manuscrits musicaux de Léo Delibes sont rachetés par la Bibliothèque du Congrès (USA), car ses musiques sont déjà jouées et célèbres aux États-Unis.

Léo Delibes enchaîne dès 1856 par des opérettes : le désopilant Deux vieilles gardes (où les rôles des deux nurses sont tenus par deux hommes chantant en fausset) est créé en août 1856 aux Bouffes-Parisiens d’Offenbach, puis Six demoiselles à marier monté par la même troupe en décembre 1856. Puis il crée Maître Griffard au Théâtre Lyrique en 1857. En 1859, il revient aux Bouffes-Parisiens avec L’Omelette à la Follembûche, dont le livret est du célèbre Labiche. Quelques mois plus tard, Monsieur de Bonne-Étoile inaugure sa collaboration avec Philippe Gille, qui deviendra un proche ami et son librettiste le plus constant, Il crée par la suite Les Musiciens de l’orchestre (1861) et Le Serpent à plumes (1864)

Léo Delibes a un an de moins que Camille Saint-Saëns (1835-1921), deux de plus que Georges Bizet (1838-1875) et six de plus que Jules Massenet (1842-1912).

Cet article Honneur au génial compositeur Léo DELIBES (1836-1891) est apparu en premier sur Actualités en France : Start-ups, PME, Arts, Histoire.